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Greater Montréal · 30 Years In

Light as the language of the event.

Design, lighting plots, off-site pre-production and grandMA2 / grandMA3 programming, live operation. From the first idea to the last blackout.

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The Studio

One point of contact, from design to live.

Gold Light is the studio of Benoit De Vaux, technical director and lighting designer for over thirty years. National and international tours, corporate galas, shows, private events : every mandate is handled start to finish — artistic direction, dimensioned lighting plot, off-site pre-production on console and WYSIWYG, then on-site operation.

Working with a designer who also programs and operates removes the gap between the drawing and the room. What's promised at the design stage is what comes out of the fixtures on the night.

See the approach
30 Years in live show and event production
4 Continents where I've built shows
100 Moving lights run on a single event
MA grandMA2 & grandMA3, design through operation
Clients who've trusted the work
  • Mitsubishi
  • Pat Groulx
  • TFO
  • Pas Perdu
  • Audi
  • Cirque Éloize
  • Juste pour rire
  • Radio-Canada
  • C2 Montréal
  • Rachid Badouri
  • Jean-Marc Parent
  • Mario Tessier
  • José Gaudet
  • Réal Béland
  • Les Belles-sœurs
  • Chantons sous la pluie
  • Musicor Spectacles
  • Productions 6e Sens
  • KoScène
  • Ville de Montréal
  • TVA
Services

Four ways to work together.

Separately or as a full mandate, depending on what the production already has in place.

LX top plot — fixture layout and technical legend

Lighting Design

Reading the rundown, artistic intent, fixture selection and layout. The deliverable is a package the production can act on directly.

  • Dimensioned lighting plot and patch
  • Fixture schedule and legend
  • General notes, rigging and power distribution
  • Coordination with the AV integrator and the venue
Hand on the faders of a grandMA console, programming screens lit

Pre-production & Programming

The show is built before it ever reaches the room. On console and in 3D visualization, so time on site goes to rehearsal, not catch-up.

  • grandMA2 / grandMA3 programming
  • Off-site pre-production in WYSIWYG Perform
  • Showfile delivered, documented and handed off to your team
  • Cue list structure built for live running
Lighting console facing the stage, crew at the desk during the show

On-Site Operation

Load-in, focus, rehearsals and live operation. One eye on the project from first fixture hung to final bow.

  • Load-in and focus supervision
  • Rehearsals and in-room adjustments
  • Running the show at the console
  • Haze management and safety coordination
grandMA console surrounded by a team in training

grandMA2 & 3 Training

Tailored training for technicians, stage managers and production teams — one-on-one or in groups, on your own gear or in-house.

  • Getting started and MA logic
  • Showfile and cue list structure
  • Migrating from grandMA2 to grandMA3
  • Support through your own pre-production
Method

Nothing is left for load-in.

  1. Reading & Intent

    Rundown, venue constraints, filming, scenic elements, budget. We define what the light needs to say before talking about fixtures.

  2. Plot & Documentation

    Layout, patch, general notes, legend. A package the integrator, the rigger and the venue can execute without back-and-forth.

  3. Off-Site Pre-Production

    Console and 3D visualization. Palettes, groups and show structure already exist by the time the first fixture turns on.

  4. Load-In, Focus, Rehearsals

    Checking angles and trims on site, adjusting looks, syncing up with sound, video and production.

  5. Live

    Running the console, reacting to whatever the rundown throws at you, and handing over the documented showfile after the event.

Showreel

See the light move.

A lighting plot is judged in the room, not on paper. Here's what it looks like.

Next Project

An event that needs lighting ?

Send the rundown, the dates and the venue — you'll get an initial read and an estimate within 48 business hours.

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